<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-0180</journal-id>
<journal-title><![CDATA[Convergências - Revista de Investigação e Ensino das Artes]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Convergências]]></abbrev-journal-title>
<issn>2184-0180</issn>
<publisher>
<publisher-name><![CDATA[Escola Superior de Artes AplicadasInstituto Politécnico Castelo Branco]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-01802022000200135</article-id>
<article-id pub-id-type="doi">10.53681/c1514225187514391s.30.163</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Vestimenta drawing in use by the Romans Toward an Archive of Pompeii clothing patterns]]></article-title>
<article-title xml:lang="es"><![CDATA[El dibujo de la vestimenta en uso por los Romanos Hacia un Archivo de patrones de Pompeya]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Avella]]></surname>
<given-names><![CDATA[Alessandra]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,University of Campania Luigi Vanvitelli Department of Architecture and Industrial Design ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Italy</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>11</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>11</month>
<year>2022</year>
</pub-date>
<volume>15</volume>
<numero>30</numero>
<fpage>135</fpage>
<lpage>145</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-01802022000200135&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-01802022000200135&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-01802022000200135&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This research treats about the women&#8217;s clothing drawing used in classical Pompeii, aiming to integrate the results of scientific studies developed in other disciplines on clothing in ancient Rome and in the Provinces of its Empire with those of the Drawing discipline. The research is based on the disciplinary approach of Drawing in the study of iconographic sources, starting from the graphic analysis of the classical iconography of the National Archaeological Museum of Naples (MANN), compared with the historiographical sources for the representation of the main women's tailoring patterns and both decorative and chromatic motifs, also in relation to the natural fibers of which the fabrics were made. The result of this analysis is an unpublished, systematic collection of technical drawings (patterns) of the various women's clothing types, that bring back to the drawing a character of critical analysis rather than illustrative as often occurs in the scientific literature on the subject.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumo Esta investigación trata sobre el diseño de la indumentaria femenina utilizada en la Pompeya clásica con el objetivo de integrar los resultados de los estudios realizados en otros campos disciplinarios sobre el tema de la indumentaria en la antigua Roma y en las provincias de su Imperio con los de la disciplina del Dibujo. La investigación se realiza, según el enfoque disciplinar del Dibujo para el estudio de las fuentes iconográficas, a partir del análisis gráfico de la iconografía clásica de la MANN en comparación con las fuentes historiográficas para la representación de los principales modelos de vestimenta femenina y sus respectivas motivos decorativos y cromáticos, también en relación con las fibras de las que están hechos los tejidos. El resultado del análisis es una colección sistemática sin precedentes de dibujos técnicos (patrones en papel) de tipos de ropa femenina que le dan al dibujo un carácter de análisis crítico más que ilustrativo como suele encontrarse en la literatura científica sobre este tema]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Vestimenta]]></kwd>
<kwd lng="en"><![CDATA[Iconographic sources]]></kwd>
<kwd lng="en"><![CDATA[Geometry]]></kwd>
<kwd lng="en"><![CDATA[Paper pattern]]></kwd>
<kwd lng="en"><![CDATA[Pompeii]]></kwd>
<kwd lng="es"><![CDATA[Vestimenta]]></kwd>
<kwd lng="es"><![CDATA[Fuentes iconográficas]]></kwd>
<kwd lng="es"><![CDATA[Geometría]]></kwd>
<kwd lng="es"><![CDATA[Patrón de papel]]></kwd>
<kwd lng="es"><![CDATA[Pompeya]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Avella]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Trame mediterranee. Moda e cultura in Pompei antica]]></article-title>
<source><![CDATA[Spazi e culture del Mediterraneo 3]]></source>
<year>2011</year>
<page-range>729-42</page-range><publisher-name><![CDATA[Edizioni Centro Stampa d&#8217;Ateneo - Università Mediterranea di Reggio Calabria]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cirafici]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Fiorentino]]></surname>
<given-names><![CDATA[C.C.]]></given-names>
</name>
<name>
<surname><![CDATA[Argenziano]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
<name>
<surname><![CDATA[Avella]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Melillo]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Pompeii and the renewed thread. Antique textures and contemporary narratives]]></article-title>
<source><![CDATA[Proceedings of the 2 nd International Conference on Textiles, Identity and Innovation (D_TEX 2019)]]></source>
<year>2020</year>
<page-range>41-8</page-range><publisher-name><![CDATA[Taylor &amp; Francis Group]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Spinazzola]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
</person-group>
<source><![CDATA[Le arti decorative in Pompei e nel Museo Nazionale di Napoli]]></source>
<year>1928</year>
<publisher-name><![CDATA[Casa Editrice d&#8217;Arte Bestetti e Tumminelli]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sgrosso]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Il problema della rappresentazione dello spazio attraverso i tempi]]></source>
<year>1984</year>
<publisher-loc><![CDATA[Napoli ]]></publisher-loc>
<publisher-name><![CDATA[Massimo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Panofsky]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<source><![CDATA[La prospettiva come &#8220;forma simbolica&#8221;]]></source>
<year>1996</year>
<publisher-name><![CDATA[Feltrinelli]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[De Rosa]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Sgrosso]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Giordano]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[La Geometria nell&#8217;Immagine. Storia dei metodi di rappresentazione]]></source>
<year>2000</year>
<publisher-name><![CDATA[Utet]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dell&#8217;Aquila]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La Casa del Labirinto e la cattura dell&#8217;infinito]]></article-title>
<source><![CDATA[Proiezione e Immagine. La logica della rappresentazione. Atti del Seminario di Studi. Napoli, 4 e 5 febbraio 1999]]></source>
<year>1999</year>
<page-range>47-66</page-range><publisher-name><![CDATA[Arte Tipografica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pascariello]]></surname>
<given-names><![CDATA[I.]]></given-names>
</name>
</person-group>
<source><![CDATA[Il progetto e l'illusione. Lettura grafico-analitica dell'architettura dipinta nella villa di Poppea ad Oplontis]]></source>
<year>2009</year>
<publisher-name><![CDATA[Nane]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sofron]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The &#8220;axial (&#8220;vanishing axis&#8221;) perspective]]></article-title>
<source><![CDATA[Anastasis. Research in Medieval Culture and Art]]></source>
<year>2015</year>
<volume>2</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>176-85</page-range></nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bonifacio]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[L&#8217;abbigliamento. In Moda costume e bellezza a Pompei e dintorni]]></article-title>
<source><![CDATA[Antiquarium di Boscoreale]]></source>
<year>2004</year>
<publisher-name><![CDATA[Marius Editore]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Simmel]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[La moda ed altri saggi di cultura filosofica]]></source>
<year>1985</year>
<publisher-name><![CDATA[Longanesi]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bonamente]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Leggi suntuarie e loro motivazioni]]></article-title>
<source><![CDATA[Tra Grecia e Roma. Temi antichi e metodologie moderne]]></source>
<year>1980</year>
<page-range>67-91</page-range><publisher-name><![CDATA[Istituto della Enciclopedia Italiana]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Candilio]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<source><![CDATA[Moda, costume e bellezza nella Roma antica]]></source>
<year>2004</year>
<publisher-name><![CDATA[Electa]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Giannecchini]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Moggi-Cecchi]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Stature in archeological samples from central Italy: Methodological issues and diachronic changes]]></article-title>
<source><![CDATA[American Journal of Physical Anthropology]]></source>
<year>2007</year>
<volume>135</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>284-92</page-range></nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Corti]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
<name>
<surname><![CDATA[Giordani]]></surname>
<given-names><![CDATA[N.]]></given-names>
</name>
</person-group>
<source><![CDATA[Pesi e misure nell&#8217;antichità]]></source>
<year>2001</year>
<publisher-name><![CDATA[Pondera]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ciarallo]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[De Carolis]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<source><![CDATA[Homo Faber]]></source>
<year>1999</year>
<publisher-name><![CDATA[Electa]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Martuscelli]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<source><![CDATA[Le fibre di polimeri naturali - Le Fibre di Seta]]></source>
<year>1999</year>
<publisher-name><![CDATA[CNR]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Maiuri]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Pompei ed Ercolano fra case ed abitanti]]></source>
<year>1950</year>
<publisher-name><![CDATA[Le Tre Venezie]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Zerlenga]]></surname>
<given-names><![CDATA[O.]]></given-names>
</name>
<name>
<surname><![CDATA[Spuria]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
<name>
<surname><![CDATA[Schiavone]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Dynamic geometry for Roman mosaic floors in Pompeii]]></article-title>
<source><![CDATA[Proceedings of The 14th International Conference on Geometry and Graphics. ICGG 2010 Kyoto]]></source>
<year>2010</year>
<publisher-name><![CDATA[International Society for Geometry and Graphics]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Stauffer]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Textiles of Late Antiquity]]></source>
<year>1995</year>
<page-range>10-1</page-range><publisher-name><![CDATA[The Metropolitan Museum of Art]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
