<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-0180</journal-id>
<journal-title><![CDATA[Convergências - Revista de Investigação e Ensino das Artes]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Convergências]]></abbrev-journal-title>
<issn>2184-0180</issn>
<publisher>
<publisher-name><![CDATA[Escola Superior de Artes AplicadasInstituto Politécnico Castelo Branco]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-01802024000100067</article-id>
<article-id pub-id-type="doi">10.53681/c1514225187514391s.33.236</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Ukrainian piano music paradigm of the past and present in the performance dimension]]></article-title>
<article-title xml:lang="pt"><![CDATA[Paradigma da música ucraniana para piano do passado e do presente na dimensão performativa]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Lastovetska-Solanska]]></surname>
<given-names><![CDATA[Zoryana]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Dyka]]></surname>
<given-names><![CDATA[Nina]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Lypetska]]></surname>
<given-names><![CDATA[Mariya]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Saldan]]></surname>
<given-names><![CDATA[Svitlana]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Makovetska]]></surname>
<given-names><![CDATA[Iryna]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Lviv National Music Academy named after M.V. Lysenko Department of Music History ]]></institution>
<addr-line><![CDATA[Lviv ]]></addr-line>
<country>Ukraine</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Lviv National Music Academy named after M.V. Lysenko Department of General and Specialized Piano ]]></institution>
<addr-line><![CDATA[Lviv ]]></addr-line>
<country>Ukraine</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Lviv National Music Academy named after M.V. Lysenko Department of Concertmastering ]]></institution>
<addr-line><![CDATA[Lviv ]]></addr-line>
<country>Ukraine</country>
</aff>
<aff id="Af4">
<institution><![CDATA[,Ivan Franko National University of Lviv Department of Musical Art ]]></institution>
<addr-line><![CDATA[Lviv ]]></addr-line>
<country>Ukraine</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2024</year>
</pub-date>
<volume>17</volume>
<numero>33</numero>
<fpage>67</fpage>
<lpage>88</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-01802024000100067&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-01802024000100067&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-01802024000100067&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The research relevance on the specificity of Ukrainian piano composition, both solo and ensemble, is predefined by its demand for modern society, as well as in the content and significance of this sphere of musical art. The purpose of this study is to comprehensively investigate and elucidate the intricacies of the phenomenon under examination, recognizing it as a multifaceted and intricate system. To achieve the above objective, the following methods were used: historical, culturological, analysis, structuring, synthesis, comparative characterization, and systematization. The research analyses the complexity of the phenomenon. The study examined several components of the phenomenon, namely the leading components of the foundation of piano performance in Ukraine, the sectors of pianism implementation and the nature of its impact on them, the modernisation of social life directions under the influence of music, Ukrainian piano art and performance in different historical eras, elements of the art of piano performance, software functions in the sphere of modern pianism. The research results illuminate processes of Ukrainian academic national piano art integration into world professional creative and performing culture as well as the uniqueness of Ukrainian music which embodied stylistic and technical achievements of classicism, romanticism, directions of the twentieth century and modernity on the ground of original colourful ethnic origins. The practical significance of the proposed study consists in the fact that its materials can be used in the concert activities of pianists, in compiling educational programs of secondary and higher music schools in piano performance, as well as in the implementation of research projects aimed at finding discoveries in the field of pianism, its specificity, manifested in different areas.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo A relevância da investigação sobre a especificidade da composição ucraniana para piano, tanto a solo como em conjunto, é predefinida pela sua procura na sociedade moderna, bem como pelo conteúdo e significado desta esfera da arte musical. O objetivo deste estudo é investigar e elucidar de forma abrangente os meandros do fenómeno em análise, reconhecendo-o como um sistema multifacetado e intrincado. Para atingir o objetivo acima referido, foram utilizados os seguintes métodos: histórico, culturológico, análise, estruturação, síntese, caraterização comparativa e sistematização. A investigação analisa a complexidade do fenómeno. O estudo examinou vários componentes do fenómeno, nomeadamente os principais componentes da fundação da execução de piano na Ucrânia, os sectores de implementação do pianismo e a natureza do seu impacto sobre eles, a modernização das direcções da vida social sob a influência da música, a arte e a execução de piano ucraniano em diferentes épocas históricas, elementos da arte da execução de piano, funções de software na esfera do pianismo moderno. Os resultados da investigação iluminam os processos de integração da arte do piano nacional académico ucraniano na cultura criativa e performativa profissional mundial, bem como a singularidade da música ucraniana, que incorporou realizações estilísticas e técnicas do classicismo, do romantismo, das direcções do século XX e da modernidade, com base nas origens étnicas coloridas originais. O significado prático do estudo proposto consiste no facto de os seus materiais poderem ser utilizados nas actividades de concerto dos pianistas, na compilação de programas educativos de escolas de música secundárias e superiores em execução de piano, bem como na implementação de projectos de investigação destinados a encontrar descobertas no campo do pianismo, a sua especificidade, manifestada em diferentes áreas.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[piano music]]></kwd>
<kwd lng="en"><![CDATA[musical culture]]></kwd>
<kwd lng="en"><![CDATA[piano performance]]></kwd>
<kwd lng="en"><![CDATA[innovation]]></kwd>
<kwd lng="en"><![CDATA[music history]]></kwd>
<kwd lng="pt"><![CDATA[música para piano]]></kwd>
<kwd lng="pt"><![CDATA[cultura musical]]></kwd>
<kwd lng="pt"><![CDATA[execução de piano]]></kwd>
<kwd lng="pt"><![CDATA[inovação]]></kwd>
<kwd lng="pt"><![CDATA[história da música]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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