<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-0180</journal-id>
<journal-title><![CDATA[Convergências - Revista de Investigação e Ensino das Artes]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Convergências]]></abbrev-journal-title>
<issn>2184-0180</issn>
<publisher>
<publisher-name><![CDATA[Escola Superior de Artes AplicadasInstituto Politécnico Castelo Branco]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-01802025000200015</article-id>
<article-id pub-id-type="doi">10.53681/c1514225187514391s.36.336</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Emotional Colour Palette of Visually Impaired Individuals Through Sense of Touch in Daily Wear Garments]]></article-title>
<article-title xml:lang="pt"><![CDATA[Paleta de Cores Emocionais de Deficientes Visuais Através do Sentido do Tato em Vestimentas de Uso Diário]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Sharma]]></surname>
<given-names><![CDATA[Deepshikha]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pereira]]></surname>
<given-names><![CDATA[Carla Costa]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Manipal University School of Architecture &amp; Design Department of Fashion Design]]></institution>
<addr-line><![CDATA[Jaipur ]]></addr-line>
<country>India</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,University of Lisbon Faculty of Architecture ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2025</year>
</pub-date>
<volume>18</volume>
<numero>36</numero>
<fpage>15</fpage>
<lpage>26</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-01802025000200015&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-01802025000200015&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-01802025000200015&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The sense of touch elicits various flows of thoughts and feelings unique to everyone specifically for visually impaired individuals. It shows in different research that different emotions arise in response to touching various textures. This research paper attempts to delve into the diverse emotional experiences of visually impaired individuals when they interact with different-coloured fabrics through tactile sensation. Despite their visual impairment, these individuals possess a keen sensory ability to discern textures of different types of fabrics in daily wear garments. This research is using user experience methodology and questionnaire method (5-point Likert scale tool) for the collection of the data. The primary focus lies on elucidating the emotional impact of design on the daily lives of visually impaired individuals. The author selects fabrics, including a 100% Viscose T-shirt in white and black, 100% polyester T shirt in beige and green, 100% cotton T-shirt in yellow and blue and 100% Linen casual wear shirt in white and each fabric category maintains consistent quality. The Plutchik Wheel of Emotions is using in this research to select emotions, specifically focusing on the 8 basic emotions. Memory, cultural associations, and individual preferences also significantly influence the emotional experiences in tactile fabric perception. The results indicate that the 100% linen casual wear shirt in white and black evokes the same loathing emotion, while the 100% cotton T-shirt in yellow elicits ecstasy, with blue prompting admiration. The 100% polyester T shirt in beige and green also induces ecstasy but the level of ecstasy is more in green. Additionally, the 100% viscose T-shirt in black and white triggers ecstasy, with the highest intensity observed in the white T-shirt. These findings give the emphasize and connection between tactile sensation, fabric properties, and emotional responses in visually impaired individuals.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O sentido do tato provoca vários fluxos de pensamentos e sentimentos únicos para cada pessoa, especificamente para indivíduos com deficiência visual. Diferentes pesquisas mostram que diferentes emoções surgem em resposta ao toque em várias texturas. Este trabalho de pesquisa tenta aprofundar as diversas experiências emocionais de indivíduos com deficiência visual quando interagem com tecidos de cores diferentes por meio da sensação tátil. Apesar da deficiência visual, esses indivíduos possuem uma capacidade sensorial aguçada para discernir texturas de diferentes tipos de tecidos em roupas de uso diário. Esta pesquisa utiliza metodologia de experiência do usuário e método de questionário (ferramenta em escala Likert de 5 pontos) para a coleta de dados. O foco principal está em elucidar o impacto emocional do design na vida cotidiana dos deficientes visuais. O autor seleciona tecidos, incluindo uma camiseta 100% viscose em branco e preto, uma camiseta 100% poliéster em marrom e verde, uma camiseta 100% algodão em amarelo e azul e uma camiseta casual 100% linho em branco e cada categoria de tecido mantém qualidade consistente. A Roda das Emoções de Plutchik está sendo usada nesta pesquisa para selecionar emoções, focando especificamente nas 8 emoções básicas. Memória, associações culturais e preferências individuais também influenciam significativamente as experiências emocionais na percepção tátil do tecido. Os resultados indicam que a camisa casual wear 100% linho nas cores branca e preta evoca a mesma emoção de ódio, enquanto a camiseta 100% algodão na cor amarela provoca êxtase, com o azul provocando admiração. A camiseta 100% poliéster nas cores marrom e verde também induz ao êxtase, mas o nível de êxtase é mais no verde. Além disso, a camiseta 100% viscose nas cores preta e branca provoca êxtase, com maior intensidade observada na camiseta branca. Essas descobertas dão ênfase e conexão entre a sensação tátil, as propriedades dos tecidos e as respostas emocionais em indivíduos com deficiência visual.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Sense of touch]]></kwd>
<kwd lng="en"><![CDATA[Emotions]]></kwd>
<kwd lng="en"><![CDATA[Visually impaired individuals]]></kwd>
<kwd lng="en"><![CDATA[Textures]]></kwd>
<kwd lng="en"><![CDATA[Garment]]></kwd>
<kwd lng="en"><![CDATA[Colours]]></kwd>
<kwd lng="pt"><![CDATA[Sentido do Tato]]></kwd>
<kwd lng="pt"><![CDATA[Emoções]]></kwd>
<kwd lng="pt"><![CDATA[Indivíduos com Deficiência Visual]]></kwd>
<kwd lng="pt"><![CDATA[Texturas]]></kwd>
<kwd lng="pt"><![CDATA[Vestuário]]></kwd>
<kwd lng="pt"><![CDATA[Cores]]></kwd>
</kwd-group>
</article-meta>
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