<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-0458</journal-id>
<journal-title><![CDATA[Revista Lusófona de Estudos Culturais (RLEC)/Lusophone Journal of Cultural Studies (LJCS)]]></journal-title>
<abbrev-journal-title><![CDATA[RLEC/LJCS]]></abbrev-journal-title>
<issn>2184-0458</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos de Comunicação e Sociedade (CECS)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-04582021000100141</article-id>
<article-id pub-id-type="doi">10.21814/rlec.3171</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Janelas Sonoras em Tempos de Pandemia]]></article-title>
<article-title xml:lang="en"><![CDATA[Sonorous Windows in Times of Pandemic]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Herschmann]]></surname>
<given-names><![CDATA[Micael]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Trotta]]></surname>
<given-names><![CDATA[Felipe]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Rio de Janeiro Escola de Comunicação ]]></institution>
<addr-line><![CDATA[Rio de Janeiro ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal Fluminense Faculdade de Comunicação ]]></institution>
<addr-line><![CDATA[Rio de Janeiro ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>06</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>06</month>
<year>2021</year>
</pub-date>
<volume>8</volume>
<numero>1</numero>
<fpage>141</fpage>
<lpage>153</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-04582021000100141&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-04582021000100141&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-04582021000100141&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo As reflexões desenvolvidas neste artigo tomam como referência não só parte da literatura especializada que analisou a trajetória de algumas sociedades em tempos de pandemia e foi produzida no quadro dos estudos de som, como também o material audiovisual e narrativas levantadas durante uma pesquisa exploratória realizada na mídia tradicional e nas redes sociais da internet sobre o comportamento e reações dos atores durante as quarentenas da covid-19 que ocorreram em 2020 e 2021 em diversas localidades do globo (com destaque não só para o contexto do Brasil e dos Estudos Unidos da América, como também dos países do continente europeu). Salienta-se que se procurou analisar aqui o duplo fluxo de aproximações e afastamentos entre os atores que - privados em grande medida de sua dinâmica de interações coletivas e cotidianas nas cidades (por conta das medidas sanitárias de distanciamento social recomendadas pelas autoridades durante a pandemia) - encontraram em algumas experiências sonoras de solidariedade e de protesto (que ecoaram nos territórios) alternativas para a concretização de intercâmbios socioculturais relevantes. Assim, os atores produziram alianças e tensões peculiares e relevantes nesse contexto, as quais possibilitam que se repense - especialmente da perspectiva dos estudos de som e música - não só as dinâmicas sociopolíticas das experiências acústicas que foram geradas em várias localidades, como também os limites e a porosidade das fronteiras tradicionais entre as esferas do público e do privado.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The ideas developed in this article take as reference not only part of the literature that analyzed the trajectory of some societies in times of pandemic and was produced within the framework of sound studies, but also the audiovisual material and narratives collected during an exploratory research. This research was carried out in the traditional media and on the social networks of the internet and focused on the behavior and reactions of the actors during the quarters of the covid-19 that occurred in 2020 and 2021 in several locations around the globe (with emphasis not only on the context of Brazil and the United States of America, but also on the countries of the European continent). It should be noted that we tried to analyze here the double flow of approximations and distances between the actors that - largely deprived of their dynamics of collective and daily interactions in the cities (due to the sanitary measures of social distance recommended by the authorities during the pandemic) - found, in some sound experiences of solidarity and protest (which echoed in the territories), alternatives for the realization of relevant socio-cultural exchanges. Thus, those actors produced peculiar and relevant alliances and tensions in this context, which make it possible to rethink - especially from the perspective of sound and music studies - not only the socio-political dynamics of the acoustic experiences that were generated in various locations, but also the limits and the porosity of traditional borders between the public and private spheres.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[cidade]]></kwd>
<kwd lng="pt"><![CDATA[comunicação]]></kwd>
<kwd lng="pt"><![CDATA[cultura]]></kwd>
<kwd lng="pt"><![CDATA[pandemia]]></kwd>
<kwd lng="pt"><![CDATA[sonoridades]]></kwd>
<kwd lng="en"><![CDATA[city]]></kwd>
<kwd lng="en"><![CDATA[communication]]></kwd>
<kwd lng="en"><![CDATA[culture]]></kwd>
<kwd lng="en"><![CDATA[pandemic]]></kwd>
<kwd lng="en"><![CDATA[sonorities]]></kwd>
</kwd-group>
</article-meta>
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