<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-0458</journal-id>
<journal-title><![CDATA[Revista Lusófona de Estudos Culturais (RLEC)/Lusophone Journal of Cultural Studies (LJCS)]]></journal-title>
<abbrev-journal-title><![CDATA[RLEC/LJCS]]></abbrev-journal-title>
<issn>2184-0458</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos de Comunicação e Sociedade (CECS)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-04582023000200021</article-id>
<article-id pub-id-type="doi">10.21814/rlec.4689</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Patrícia Galvão: A Primeira Quadrinista Brasileira]]></article-title>
<article-title xml:lang="en"><![CDATA[Patrícia Galvão: The First Female Brazilian Cartoonist]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Tavares Braga Avelino]]></surname>
<given-names><![CDATA[Stella]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal de Minas Gerais Faculdade de Letras Programa de Pós-Graduac&#807;a&#771;o em Estudos Literários]]></institution>
<addr-line><![CDATA[Belo Horizonte ]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>12</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>12</month>
<year>2023</year>
</pub-date>
<volume>10</volume>
<numero>2</numero>
<fpage>21</fpage>
<lpage>35</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-04582023000200021&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-04582023000200021&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-04582023000200021&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Embora muitos nomes masculinos tenham sido reconhecidos na história dos quadrinhos brasileiros, poucas figuras femininas sa&#771;o lembradas. Nesse sentido, este artigo tem por objetivo a análise de dois trabalhos de Patrícia Galva&#771;o: o álbum &#8220;Nascimento, Vida, Paixa&#771;o e Morte&#8221; e a série de oito tiras publicadas no jornal O Homem do Povo, intitulada &#8220;Malakabec&#807;a, Fanika e Kabelluda&#8221;. Mais conhecida como Pagu, Patrícia Galva&#771;o é hoje reconhecida como a primeira mulher a publicar quadrinhos no Brasil. &#8220;Nascimento, Vida, Paixa&#771;o e Morte&#8221; foi produzido quando a autora tinha apenas 19 anos e configura-se como uma narrativa gráfica autobiográfica, a qual pode ser considerada como o primeiro quadrinho brasileiro escrito e desenhado por uma mulher. Além disso, Pagu inaugurou a produc&#807;a&#771;o de tiras de autoria feminina e com temática feminista no Brasil, ao trazer duas representac&#807;ões femininas diferentes em &#8220;Malakabec&#807;a, Fanika e Kabelluda&#8221;: a esposa tradicionalista e a jovem contestadora e fora dos padrões convencionais. A despeito de sua inovac&#807;a&#771;o e importância no cenário cultural brasileiro, Patrícia Galva&#771;o foi - e, por vezes, ainda é - frequentemente reconhecida apenas como &#8220;musa modernista&#8221; ou ainda pelas suas relac&#807;ões pessoais com escritores renomados. Assim, reexaminar a produc&#807;a&#771;o de Patrícia Galva&#771;o é necessário, uma vez que, enquanto mulher e independente de suas ligac&#807;ões, ela produziu obras de importância significativa na comunicac&#807;a&#771;o e na disseminac&#807;a&#771;o de mensagens políticas feministas e contra a discriminac&#807;a&#771;o e violência de gênero. Portanto, torna-se fundamental reconhecer e repensar o papel de Patrícia Galva&#771;o/Pagu na história dos quadrinhos brasileiros.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Although many male names have been recognised in the history of Brazilian comics, only some female figures are remembered. As such, this article aims to analyse two works by Patrícia Galva&#771;o: the album "Nascimento, Vida, Paixa&#771;o e Morte" (Birth, Life, Passion and Death) and the series of eight strips published in the newspaper O Homem do Povo, under the title "Malakabec&#807;a, Fanika e Kabelluda" (Malakabec&#807;a, Fanika and Kabelluda). Better known as Pagu, Patrícia Galva&#771;o is now acknowledged as the first woman to publish comics in Brazil. "Nascimento, Vida, Paixa&#771;o e Morte&#8221; was produced when the author was just 19 years old and is an autobiographical graphic narrative, considered the first Brazilian comic written and drawn by a woman. Moreover, Pagu pioneered the production of female-authored, feminist-themed strips in Brazil when she introduced two distinct female representations in "Malakabec&#807;a, Fanika e Kabelluda": the traditionalist wife and the young rebellious woman who defied conventional standards. Despite her innovation and prominent presence in the Brazilian cultural scene, Patrícia Galva&#771;o was - and sometimes still is - primarily recognised as a "modernist muse" or for her relationships with renowned writers. Thus, it is worth revisiting Patrícia Galva&#771;o's production since, as a woman and regardless of her connections, she produced highly relevant works communicating and disseminating feminist political messages and opposing gender discrimination and violence. It is, therefore, essential to acknowledge and reconsider the role of Patrícia Galva&#771;o/Pagu in the history of Brazilian comics.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Pagu]]></kwd>
<kwd lng="pt"><![CDATA[quadrinhos no Brasil]]></kwd>
<kwd lng="pt"><![CDATA[tiras feministas]]></kwd>
<kwd lng="pt"><![CDATA[mulheres quadrinistas]]></kwd>
<kwd lng="en"><![CDATA[Pagu]]></kwd>
<kwd lng="en"><![CDATA[comics in Brazil]]></kwd>
<kwd lng="en"><![CDATA[feminist strips]]></kwd>
<kwd lng="en"><![CDATA[female cartoonists]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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