<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-0458</journal-id>
<journal-title><![CDATA[Revista Lusófona de Estudos Culturais (RLEC)/Lusophone Journal of Cultural Studies (LJCS)]]></journal-title>
<abbrev-journal-title><![CDATA[RLEC/LJCS]]></abbrev-journal-title>
<issn>2184-0458</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos de Comunicação e Sociedade (CECS)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-04582024000104001</article-id>
<article-id pub-id-type="doi">10.21814/rlec.4707</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Diáspora Negra e a Desautorização do Refrão Único: Imaginários de Tempo, História e Gênero nas Revoltas do Povo Negro Através da Música Popular Brasileira]]></article-title>
<article-title xml:lang="en"><![CDATA[The Black Diaspora Disproving the Single Chorus: Imaginaries of Time, History and Gender in the Rebellions of the Black People through Brazilian Popular Music]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Barboza da Silva]]></surname>
<given-names><![CDATA[Rosimeire]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Oliveira Ruggi]]></surname>
<given-names><![CDATA[Lennita]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Coimbra Centro de Estudos Sociais Programa de doutoramento em Governação, Conhecimento e Inovação]]></institution>
<addr-line><![CDATA[Coimbra ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal do Paraná Setor de Educação Departamento de Teoria e Fundamentos da Educação]]></institution>
<addr-line><![CDATA[Curitiba ]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2024</year>
</pub-date>
<volume>11</volume>
<numero>1</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-04582024000104001&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-04582024000104001&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-04582024000104001&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Tendo como inspiração O Atlântico Negro de Paul Gilroy (1993/2001), propomos realizar um exercício de interpretação de quatro letras consagradas da música popular brasileira (MPB). São elas: &#8220;Chico Rei&#8221; (Jarbas Soares, Djalma de Oliveira Costa e Geraldo Soares de Carvalho, 1964); &#8220;Zumbi&#8221; (Jorge Ben, 1974); &#8220;Mestre Sala dos Mares&#8221; (João Bosco &amp; Aldir Blanc, 1975) e &#8220;Morena de Angola&#8221; (Chico Buarque, 1980). Ao tomarmos as canções como parte do arcabouço intelectual d&#8217;O Atlântico Negro, consideramos duas principais chaves de leitura: (a) o imaginário de tempo/história e (b) os princípios generificados de enunciação. Seguindo a trilha metodológica proposta por Gilroy (1993/2001), identificamos a música como espaço público de elaboração e difusão de memórias sobre a diáspora negra. Informadas por lutas históricas travadas pelo povo negro, as canções recuperam narrativas insistentemente invisibilizadas e questionam o suposto lugar de &#8220;não-agência&#8221; política das populações escravizadas ou vivendo sob regimes autoritários. Frente à urgência em interromper o cansativo refrão da história única, encontramos nessas obras acesso privilegiado às recordações sobre revoltas contra a escravização e o colonialismo, difundindo no presente saberes decoloniais. A produção e inscrição de uma memória oposicional - aquela que reivindica espaço e lugar ao mesmo tempo em que contesta versões sedimentadas - é um trabalho constante que está intimamente relacionado com o estabelecimento de novos horizontes de luta no presente.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Inspired by Paul Gilroy's O Atlântico Negro (The Black Atlantic; 1993/2001), this study sets out to interpret four renowned Brazilian popular music (MPB) lyrics: "Chico Rei" (Jarbas Soares, Djalma de Oliveira Costa e Geraldo Soares de Carvalho, 1964); "Zumbi" (Jorge Ben, 1974); "Mestre Sala dos Mares" (João Bosco &amp; Aldir Blanc, 1975) and "Morena de Angola" (Chico Buarque, 1980). By examining the songs within the intellectual framework of The Black Atlantic, the analysis focuses on two main perspectives for interpretation: (a) the imaginary of time/history and (b) the gendered principles of enunciation. Following the methodological approach proposed by Gilroy (1993/2001), music emerges as a public space for articulating and disseminating memories of the black diaspora. Informed by the historical struggles waged by black people, the lyrics reclaim narratives insistently invisible and challenge the supposed place of political "non-agency" of enslaved populations or those living under authoritarian regimes. These compositions, confronting the urgency to break free from the tiresome chorus of a single history, provide privileged access to memories of uprisings against enslavement and colonialism, spreading decolonial knowledge in the contemporary context. The production and inscription of an oppositional memory - one that claims space and place while contesting sedimented versions - is a constant endeavour that is closely related to the establishment of new horizons for struggle in the present.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[O Atlântico Negro]]></kwd>
<kwd lng="pt"><![CDATA[diáspora negra]]></kwd>
<kwd lng="pt"><![CDATA[imaginários de tempo e história]]></kwd>
<kwd lng="pt"><![CDATA[decolonização do saber]]></kwd>
<kwd lng="en"><![CDATA[The Black Atlantic]]></kwd>
<kwd lng="en"><![CDATA[black diaspora]]></kwd>
<kwd lng="en"><![CDATA[imaginaries of time and history]]></kwd>
<kwd lng="en"><![CDATA[decolonisation of knowledge]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="">
<collab>Académicos do Salgueiro</collab>
<source><![CDATA[https://www.salgueiro.com.br/]]></source>
<year>2014</year>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Anderson]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
<name>
<surname><![CDATA[Bottman]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<source><![CDATA[Comunidades imaginadas]]></source>
<year>2008</year>
<publisher-name><![CDATA[Companhia das Letras]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Araújo]]></surname>
<given-names><![CDATA[H. L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Quatro mulheres, quatro canções: A representação do estereótipo feminino na lírica de Chico Buarque]]></article-title>
<source><![CDATA[Revista Crioula]]></source>
<year>2018</year>
<numero>21</numero>
<issue>21</issue>
<page-range>698-715</page-range></nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bakke]]></surname>
<given-names><![CDATA[R. R. B.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Tem orixá no samba: Clara Nunes e a presença do candomblé e da umbanda na música popular brasileira]]></article-title>
<source><![CDATA[Religião &amp; Sociedade]]></source>
<year>2007</year>
<volume>27</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>85-113</page-range></nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Barboza]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Léon]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
<name>
<surname><![CDATA[Carcelén-Estrada]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[de Léon]]></surname>
<given-names><![CDATA[C. M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ciclo abierto de lecturas sobre la obra de Angela Davis en Ecuador: Diáspora, Atlántico Negro y la internacionalización de las luchas antirracistas, feministas y anticoloniales]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Barboza]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Zaragocín]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Racismos en Ecuador: Reflexiones y experiencias interseccionales]]></source>
<year>2021</year>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bento]]></surname>
<given-names><![CDATA[M. A. S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Branqueamento e branquitude no Brasil]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Carone]]></surname>
<given-names><![CDATA[I.]]></given-names>
</name>
<name>
<surname><![CDATA[Bento]]></surname>
<given-names><![CDATA[M. A. S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Psicologia social do racismo: Estudos sobre branquitude e branqueamento no Brasil]]></source>
<year>2002</year>
<page-range>28-64</page-range><publisher-name><![CDATA[Vozes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Brügger]]></surname>
<given-names><![CDATA[S. M. J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8220;O povo é tudo&#8221;: A obra de Clara Nunes]]></article-title>
<source><![CDATA[Artcultura: Revista de História, Cultura e Arte]]></source>
<year>2008</year>
<volume>10</volume>
<numero>17</numero>
<issue>17</issue>
<page-range>191-204</page-range></nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Brügger]]></surname>
<given-names><![CDATA[S. M. J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Clara Nunes: Uma cantora popular]]></article-title>
<source><![CDATA[Anais do XXV Simpósio Nacional de História - História e Ética]]></source>
<year>2009</year>
<publisher-name><![CDATA[ANPUH]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carin]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sambas da década de 60 (até 1967)]]></article-title>
<source><![CDATA[Sambario]]></source>
<year>s.d.</year>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Chalhoub]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Medo branco de almas negras. Escravos, libertos e republicanos na cidade do Rio. Discursos sediciosos: crime, direito e sociedade]]></article-title>
<source><![CDATA[Revista Brasileira de História]]></source>
<year>1988</year>
<volume>8</volume>
<numero>16</numero>
<issue>16</issue>
<page-range>83-105</page-range></nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cooper]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
<name>
<surname><![CDATA[Holt]]></surname>
<given-names><![CDATA[T. C.]]></given-names>
</name>
<name>
<surname><![CDATA[Scott]]></surname>
<given-names><![CDATA[R. J.]]></given-names>
</name>
<name>
<surname><![CDATA[Medina]]></surname>
<given-names><![CDATA[M. B. de]]></given-names>
</name>
</person-group>
<source><![CDATA[Além da escravidão: Investigações sobre raça, trabalho e cidadania em sociedades pós-emancipação]]></source>
<year>2005</year>
<publisher-name><![CDATA[Civilização Brasileira]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cotler]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Actuales pautas de cambio en la sociedad rural del Perú]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Matos Mar]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Cotler]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Alers]]></surname>
<given-names><![CDATA[J. O.]]></given-names>
</name>
<name>
<surname><![CDATA[Alberti]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Dominación y cambios en el Perú rural]]></source>
<year>1969</year>
<page-range>60-79</page-range><publisher-name><![CDATA[Instituto de Estudios Peruanos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Davis]]></surname>
<given-names><![CDATA[A. Y.]]></given-names>
</name>
</person-group>
<source><![CDATA[Blues legacies and black feminism: Gertrude Ma Rainey, Bessie Smith, and Billie Holiday]]></source>
<year>2011</year>
<publisher-name><![CDATA[Random House]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Davis]]></surname>
<given-names><![CDATA[A. Y.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[I used to be your sweet mama. Ideología, sexualidad y domesticidad]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Jabardo]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Feminismos negros, una antología]]></source>
<year>2012</year>
<page-range>135-85</page-range><publisher-name><![CDATA[Traficantes de Sueños]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Davis]]></surname>
<given-names><![CDATA[A. Y]]></given-names>
</name>
</person-group>
<source><![CDATA[Mulheres, raça e classe]]></source>
<year>2016</year>
<publisher-name><![CDATA[Boitempo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Faria]]></surname>
<given-names><![CDATA[G. J. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[O G.R.E.S. Acadêmicos do Salgueiro e as representações do negro nos desfiles das escolas de samba nos anos 1960]]></source>
<year>2014</year>
<publisher-name><![CDATA[Universidade Federal Fluminense]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Freire]]></surname>
<given-names><![CDATA[J. C.]]></given-names>
</name>
<name>
<surname><![CDATA[Queiroz]]></surname>
<given-names><![CDATA[R. R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A alteridade em canções de Chico Buarque de Hollanda: Uma leitura desconstrucionista]]></article-title>
<source><![CDATA[Revista Estudos e Pesquisas em Psicologia]]></source>
<year>2011</year>
<volume>11</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>676-96</page-range></nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gilroy]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
<name>
<surname><![CDATA[Moreira]]></surname>
<given-names><![CDATA[C. K.]]></given-names>
</name>
</person-group>
<source><![CDATA[O Atlântico negro]]></source>
<year>2001</year>
<publisher-name><![CDATA[Editora 34]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gilroy]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
<name>
<surname><![CDATA[Azevedo]]></surname>
<given-names><![CDATA[C. M. M. de]]></given-names>
</name>
<name>
<surname><![CDATA[Silva]]></surname>
<given-names><![CDATA[C. M. da]]></given-names>
</name>
<name>
<surname><![CDATA[Ribeiro]]></surname>
<given-names><![CDATA[R. R.]]></given-names>
</name>
</person-group>
<source><![CDATA[Entre campos: Nações, culturas e o fascínio da raça]]></source>
<year>2007</year>
<publisher-name><![CDATA[Annablume]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gonzalez]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Racismo e sexismo na cultura brasileira]]></article-title>
<source><![CDATA[Revista Ciências Sociais Hoje]]></source>
<year>1984</year>
<volume>2</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>223-44</page-range></nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lima]]></surname>
<given-names><![CDATA[C. A. M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Em certa corporação: Politizando convivências em irmandades negras no Brasil escravista (1700-1850)]]></article-title>
<source><![CDATA[História. Questões e Debates]]></source>
<year>1999</year>
<volume>16</volume>
<numero>30</numero>
<issue>30</issue>
<page-range>11-38</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Meihy]]></surname>
<given-names><![CDATA[J. C. S. B.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[O samba é Morena de Angola: Oralidade e música]]></article-title>
<source><![CDATA[História Oral]]></source>
<year>2004</year>
<volume>7</volume>
<page-range>121-43</page-range></nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mintz]]></surname>
<given-names><![CDATA[W.S.]]></given-names>
</name>
<name>
<surname><![CDATA[Price]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[O nascimento da cultura afro-americana: Uma perspectiva antropológica]]></source>
<year>2003</year>
<publisher-name><![CDATA[Universidade Candido Mendes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Morel]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<source><![CDATA[A revolta da chibata]]></source>
<year>2009</year>
<publisher-name><![CDATA[Paz e Terra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Moten]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
<name>
<surname><![CDATA[Harney]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The University and the Undercommons]]></article-title>
<source><![CDATA[Social Text]]></source>
<year>2004</year>
<volume>22</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>101-15</page-range></nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Müller]]></surname>
<given-names><![CDATA[T. M. P.]]></given-names>
</name>
<name>
<surname><![CDATA[Cardoso]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Branquitude: Estudos sobre a identidade branca no Brasil]]></source>
<year>2017</year>
<publisher-name><![CDATA[Appris]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Oliveira]]></surname>
<given-names><![CDATA[L. X.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[África Brasil: Uma análise midiática do álbum de Jorge Ben Jor]]></article-title>
<source><![CDATA[Contemporanea: Comunicação e Cultura]]></source>
<year>2012</year>
<volume>10</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>158-74</page-range></nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Polli]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Piores versos da música brasileira]]></article-title>
<source><![CDATA[Le Monde Diplomatique Brasil]]></source>
<year>2009</year>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rivera Cusicanqui]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Ch&#8217;ixinakax utxiwa: Una reflexión sobre prácticas y discursos descolonizadores]]></source>
<year>2010</year>
<publisher-name><![CDATA[Tinta Limón Ediciones]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Silva]]></surname>
<given-names><![CDATA[M. T. B. da]]></given-names>
</name>
<name>
<surname><![CDATA[Oliveira Filho]]></surname>
<given-names><![CDATA[A. L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Cartola os tempos idos]]></source>
<year>1983</year>
<publisher-name><![CDATA[Funarte/Instituto Nacional de Música, Div. de Música Popular (MPB)]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Seligmann-Silva]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Narrar o trauma: A questão dos testemunhos de catástrofes históricas]]></article-title>
<source><![CDATA[Psicologia Clínica]]></source>
<year>2008</year>
<volume>20</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>65-82</page-range></nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Shohat]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
<name>
<surname><![CDATA[Stam]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Soares]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Crítica da imagem eurocêntrica]]></source>
<year>2006</year>
<publisher-name><![CDATA[Cosac Naify]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Silva]]></surname>
<given-names><![CDATA[M. A. M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Fazer história, fazer sentido: Associação Cultural do Negro (1954-1964)]]></article-title>
<source><![CDATA[Lua Nova]]></source>
<year>2012</year>
<numero>85</numero>
<issue>85</issue>
<page-range>227-73</page-range></nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Soares]]></surname>
<given-names><![CDATA[M. T.]]></given-names>
</name>
</person-group>
<source><![CDATA[O Brasil negromestiço de Clara Nunes (1971-1982)]]></source>
<year>2016</year>
<publisher-name><![CDATA[Pontifícia Universidade Católica de São Paulo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Souza]]></surname>
<given-names><![CDATA[N. S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tornar-se negro. Ou as vicissitudes da identidade do negro brasileiro em ascensão social]]></source>
<year>1983</year>
<publisher-name><![CDATA[Graal]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vogler]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[A jornada do escritor: Estruturas míticas para escritores]]></source>
<year>2006</year>
<publisher-name><![CDATA[Nova Fronteira]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
