<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-0458</journal-id>
<journal-title><![CDATA[Revista Lusófona de Estudos Culturais (RLEC)/Lusophone Journal of Cultural Studies (LJCS)]]></journal-title>
<abbrev-journal-title><![CDATA[RLEC/LJCS]]></abbrev-journal-title>
<issn>2184-0458</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos de Comunicação e Sociedade (CECS)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-04582024000104007</article-id>
<article-id pub-id-type="doi">10.21814/rlec.5477</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Arte Ativista e Arte Ecológica: Uma Discussão Sobre a Relação Entre Cultura, Ambiente e Sociedade, Abordagens Artísticas e Contextos de Produção Cultural]]></article-title>
<article-title xml:lang="en"><![CDATA[Activist Art and Ecological Art: Exploring the Interplay of Culture, Environment, and Society, Artistic Approaches, and Cultural Production Contexts]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Vargas]]></surname>
<given-names><![CDATA[Tatiana Lopes]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Investigadora independente  ]]></institution>
<addr-line><![CDATA[Vila Nova de Gaia ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2024</year>
</pub-date>
<volume>11</volume>
<numero>1</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-04582024000104007&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-04582024000104007&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-04582024000104007&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O ativismo ambiental, através da arte, estimula um processo de educação, ao mesmo tempo que gera reflexões e uma experiência de vulnerabilidade sentida pelos corpos humanos diante da realidade da emergência climática (Rodriguez-Labajos, 2022). Devido às subjetividades desencadeadas pela arte ecológica para a consciência e ação sobre as questões socioambientais, este artigo, de cunho teórico, reflexivo e interpretativo, tem o objetivo de abordar os conceitos de &#8220;arte ativismo&#8221;, &#8220;arte ecológica&#8221; e outras nomenclaturas análogas, de forma a analisar a relação entre cultura, ambiente e sociedade e as condições por meio das quais as práticas de produção cultural se desenvolvem. Para tanto, procurou-se compreender a perspetiva das três ecologias e da noção de &#8220;ecoarte&#8221; de Félix Guattari (1989/1990); a natureza das abordagens de arte ecológica e as principais causas ambientais associadas; o contexto em que ocorrem as práticas artísticas de ativismo ambiental e a atividade de produção cultural. Recorreu-se a exemplos de artistas e projetos portugueses para perceber: as particularidades das práticas e das estratégias criativas ligadas à sustentabilidade ambiental; os aspetos referentes à educação ambiental, às questões éticas e às políticas culturais que se adequam à arte ecológica. Com este artigo, pretende-se contribuir para a discussão sobre a arte ecológica sob a ótica da identidade política da arte e da análise necessária e intrínseca entre práticas culturais e ambiente.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Environmental activism, expressed through art, prompts an educational process, generating reflections and evoking a sense of vulnerability experienced by human bodies before the reality of the climate emergency (Rodriguez-Labajos, 2022). Because ecological art sparks subjective responses aimed at raising awareness and driving action on socio-environmental concerns, this theoretical, reflective, and interpretive article seeks to explore the concepts of &#8220;activist art&#8221;, &#8220;ecological art&#8221;, and analogous designations in order to analyse the interplay between culture, environment, and society and the conditions shaping cultural production practices. In pursuit of this objective, our inquiry delved into the framework of Félix Guattari&#8217;s concept of &#8220;eco-art&#8221; (1989/1990), the nature of ecological art approaches and the primary environmental causes they address, the contextual landscape in which environmental activist art practices unfolds and the dynamics of cultural production. Examples from Portuguese artists and projects were used to elucidate the nuances of creative practices and strategies linked to environmental sustainability, aspects relating to environmental education, ethical issues and cultural policies that align with ecological art. This article aims to contribute to the discussion on ecological art by exploring the political identity of art and emphasising the indispensable and inherent analysis between cultural practices and the environment.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[arte ecológica]]></kwd>
<kwd lng="pt"><![CDATA[ativismo artístico ambiental]]></kwd>
<kwd lng="pt"><![CDATA[cultura e ambiente]]></kwd>
<kwd lng="pt"><![CDATA[identidade política da arte]]></kwd>
<kwd lng="pt"><![CDATA[produção cultural]]></kwd>
<kwd lng="en"><![CDATA[ecological art]]></kwd>
<kwd lng="en"><![CDATA[environmental art activism]]></kwd>
<kwd lng="en"><![CDATA[culture and environment]]></kwd>
<kwd lng="en"><![CDATA[political identity of art]]></kwd>
<kwd lng="en"><![CDATA[cultural production]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bordowitz]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Tactics inside and out: Critical art ensemble]]></article-title>
<source><![CDATA[ArtForum]]></source>
<year>2004</year>
<volume>43</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>212-5</page-range></nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Brunner]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
<name>
<surname><![CDATA[Nigro]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Raunig]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Post-media activism, social ecology and eco-art]]></article-title>
<source><![CDATA[Third Text]]></source>
<year>2013</year>
<volume>27</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>10-6</page-range></nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cevasco]]></surname>
<given-names><![CDATA[M. E.]]></given-names>
</name>
</person-group>
<source><![CDATA[Dez lições sobre estudos culturais]]></source>
<year>2003</year>
<publisher-name><![CDATA[Boitempo Editorial]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="">
<collab>DGARTES</collab>
<source><![CDATA[DGARTES apoia dezoito projetos que cruzam arte com ambiente]]></source>
<year>2022</year>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="">
<collab>Ecoart Network</collab>
<source><![CDATA[About the community]]></source>
<year>2023</year>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="">
<collab>Exposição de Bordalo II alerta para os perigos da destruição do planeta</collab>
<source><![CDATA[euronews]]></source>
<year>2019</year>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Freitas]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Natureza, cultura, ambiente e desenvolvimento: Um ensaio sobre a viabilidade de uma cultura (comum) da sustentabilidade]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Parente]]></surname>
<given-names><![CDATA[T. G.]]></given-names>
</name>
<name>
<surname><![CDATA[Magalhães]]></surname>
<given-names><![CDATA[H. G. D.]]></given-names>
</name>
</person-group>
<source><![CDATA[Linguagens plurais: Cultura e meio ambiente]]></source>
<year>2008</year>
<page-range>13-40</page-range><publisher-name><![CDATA[EDUSC]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gablik]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The ecological imperative]]></article-title>
<source><![CDATA[Art Journal]]></source>
<year>1992</year>
<volume>51</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>49-51</page-range></nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gorz]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Ecológica]]></source>
<year>2011</year>
<publisher-name><![CDATA[Clave Intelectual]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Guattari]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
<name>
<surname><![CDATA[Bittencourt]]></surname>
<given-names><![CDATA[M. C. F.]]></given-names>
</name>
</person-group>
<source><![CDATA[As três ecologias]]></source>
<year>1990</year>
<edition>21.ª ed</edition>
<publisher-name><![CDATA[Papirus]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hall]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Cultural studies: Two paradigms]]></article-title>
<source><![CDATA[Media, Culture and Society]]></source>
<year>1980</year>
<volume>2</volume>
<page-range>57-72</page-range></nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hall]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Cultural studies and its theoretical legacies]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Grossberg]]></surname>
<given-names><![CDATA[L]]></given-names>
</name>
<name>
<surname><![CDATA[Nelson]]></surname>
<given-names><![CDATA[C]]></given-names>
</name>
<name>
<surname><![CDATA[Treichler]]></surname>
<given-names><![CDATA[P]]></given-names>
</name>
</person-group>
<source><![CDATA[Cultural studies]]></source>
<year>1992</year>
<page-range>277-94</page-range><publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jacobi]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Educação ambiental, cidadania e sustentabilidade]]></article-title>
<source><![CDATA[Cadernos de Pesquisa]]></source>
<year>2003</year>
<numero>118</numero>
<issue>118</issue>
<page-range>189-205</page-range></nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kagan]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The practice of ecological art]]></article-title>
<source><![CDATA[plastik]]></source>
<year>2014</year>
<numero>4</numero>
<issue>4</issue>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Krieg-Planque]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La formule &#8220;développement durable&#8221; : Un opérateur de neutralisation de la conflictualité]]></article-title>
<source><![CDATA[Langage et Société]]></source>
<year>2010</year>
<numero>4</numero>
<issue>4</issue>
<page-range>5-29</page-range></nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lopes]]></surname>
<given-names><![CDATA[A. C.]]></given-names>
</name>
<name>
<surname><![CDATA[Farinha]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Amado]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sustainability through art]]></article-title>
<source><![CDATA[Energy Procedia]]></source>
<year>2017</year>
<volume>119</volume>
<page-range>752-66</page-range></nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Menezes]]></surname>
<given-names><![CDATA[S. M. P. de.]]></given-names>
</name>
</person-group>
<source><![CDATA[Distopia ou utopia: Cultura, criatividade e território]]></source>
<year>2018</year>
<publisher-name><![CDATA[Universidade de Aveiro]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="">
<collab>Nações Unidas</collab>
<source><![CDATA[A ONU e o meio ambiente]]></source>
<year>2023</year>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nascimento]]></surname>
<given-names><![CDATA[E. P. d.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Trajetória da sustentabilidade: Do ambiental ao social, do social ao econômico]]></article-title>
<source><![CDATA[Estudos Avançados]]></source>
<year>2012</year>
<volume>26</volume>
<numero>74</numero>
<issue>74</issue>
<page-range>51-64</page-range></nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Peixeiro]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[As aves da Lezíria que impediram o aeroporto no Montijo]]></article-title>
<source><![CDATA[Diário de Notícias]]></source>
<year>2024</year>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Polli]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Soundscape, sonification, and sound activism]]></article-title>
<source><![CDATA[AI &amp; SOCIETY]]></source>
<year>2012</year>
<volume>27</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>257-68</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Prado]]></surname>
<given-names><![CDATA[L. C. D.]]></given-names>
</name>
<name>
<surname><![CDATA[Barradas]]></surname>
<given-names><![CDATA[A. V.]]></given-names>
</name>
</person-group>
<source><![CDATA[Economia do cinema e do audiovisual: Teorias e concorrência]]></source>
<year>2023</year>
<publisher-name><![CDATA[Textos Para Discussão - Instituto de Economia]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rancière]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Netto]]></surname>
<given-names><![CDATA[M. C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Será que a arte resiste a alguma coisa?]]></source>
<year>2007</year>
<publisher-name><![CDATA[Riseup]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rodriguez-Labajos]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Artistic activism promotes three major forms of sustainability transformation]]></article-title>
<source><![CDATA[Current Opinion in Environmental Sustainability]]></source>
<year>2022</year>
<volume>57</volume>
<page-range>1-8</page-range></nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="confpro">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ribeiro]]></surname>
<given-names><![CDATA[A. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Raymond Williams e Stuart Hall: Perspectivas, objetos e engajamento]]></source>
<year>2017</year>
<conf-name><![CDATA[ 18.º Congresso Brasileiro de Sociologia: Que sociologias fazemos? Interfaces com contextos local, nacional e global]]></conf-name>
<conf-loc>Brasília, Brasil </conf-loc>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ribeiro]]></surname>
<given-names><![CDATA[A. S. d. C. A. e.]]></given-names>
</name>
<name>
<surname><![CDATA[Almeida]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ecossemântica do mundo arte]]></article-title>
<source><![CDATA[Revista ARA]]></source>
<year>2021</year>
<volume>11</volume>
<numero>11</numero>
<issue>11</issue>
<page-range>249-64</page-range></nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sanz]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
<name>
<surname><![CDATA[Rodriguez-Labajos]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Does artistic activism change anything? Strategic and transformative effects of arts in anti-coal struggles in Oakland, CA]]></article-title>
<source><![CDATA[Geoforum]]></source>
<year>2021</year>
<volume>122</volume>
<page-range>41-54</page-range></nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sheikh]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Positively Trojan horses revisited]]></source>
<year>2017</year>
<publisher-name><![CDATA[Void Network]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vasko]]></surname>
<given-names><![CDATA[Z.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Connections between artistic practice and experiences in nature: Considerations for how art education can engender ecological awareness]]></article-title>
<source><![CDATA[Canadian Review of Art Education]]></source>
<year>2016</year>
<volume>42</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>69-79</page-range></nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vieira]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<source><![CDATA[Artivismo: Estratégias artísticas contemporâneas de resistência cultural]]></source>
<year>2007</year>
<publisher-name><![CDATA[Universidade do Porto]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wallen]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ecological art: A call for visionary intervention in a time of crisis]]></article-title>
<source><![CDATA[Leonardo]]></source>
<year>2012</year>
<volume>45</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>234-42</page-range></nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Walsh]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The politics of naming: (Inter)cultural studies in de-colonial code]]></article-title>
<source><![CDATA[Cultural Studies]]></source>
<year>2012</year>
<volume>26</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>108-25</page-range></nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[The long revolution]]></source>
<year>1961</year>
<publisher-name><![CDATA[Chatto &amp; Windus]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The analysis of culture]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Storey]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Cultural theory and popular culture: A reader]]></source>
<year>1998</year>
<page-range>48-56</page-range><publisher-name><![CDATA[The University of Georgia Press]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
