<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-1284</journal-id>
<journal-title><![CDATA[Vista. Revista de Cultura Visual]]></journal-title>
<abbrev-journal-title><![CDATA[Vista]]></abbrev-journal-title>
<issn>2184-1284</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos de Comunicação e Sociedade]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-12842022000100005</article-id>
<article-id pub-id-type="doi">10.21814/vista.3650</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Migração e Conflito Sírio: A Narrativa por Trás da Imagem]]></article-title>
<article-title xml:lang="en"><![CDATA[Migration and Syrian Conflict: The Narrative Behind the Image]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Coutinho]]></surname>
<given-names><![CDATA[Suzana Ramos]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
<xref ref-type="aff" rid="Aaf"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Santos]]></surname>
<given-names><![CDATA[Jesner Esequiel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Presbiteriana Mackenzie Centro de Educação, Filosofia e Teologia ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Pontifícia Universidade Católica de São Paulo Faculdade de Ciências Sociais Centro de Humanidades]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>06</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>06</month>
<year>2022</year>
</pub-date>
<numero>9</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-12842022000100005&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-12842022000100005&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-12842022000100005&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: Este artigo visa pensar os fluxos migratórios e o papel político da imagem utilizando como referência a guerra na Síria. A fotografia de Hamza Al-Ajweh intitulada &#8220;Uma criança síria caminha por uma rua passando por escombros de edifícios destruídos na cidade controlada pelos rebeldes de Douma no enclave Ghouta Oriental, nos arredores de Damasco&#8221;, tirada em 8 de março de 2018 e publicada pela primeira vez no Los Angeles Times, servirá como ponto de referência para a discussão e análise aqui proposta. A complexidade dos deslocamentos neste contexto específico de guerra nos encaminha para a necessidade de conceituação da mobilidade síria após o início da guerra em 2011, entendendo que esta complexidade vai muito além das definições formais utilizadas pelos órgãos internacionais. Para um entendimento mais preciso do debate, estruturamos a discussão em três partes, apresentando primeiramente uma breve contextualização sobre o conflito na Síria, que teve início com a Primavera Árabe e que prossegue até a atualidade. Esta contextualização sociopolítica serve aqui como pano de fundo para discutirmos não somente categorias migratórias genéricas, mas também para melhor auxiliar o entendimento sobre pessoas, movimentos e a demanda por novas categorias e reflexões visuais que ultrapassam as perspectivas já estabelecidas. No final, discutiremos como a fotografia do fotógrafo Hamza Al-Ajweh nos auxilia a pensarmos múltiplos aspectos políticos e transformadores da imagem.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This article aims to reflect on migratory flows and the political role of the image using the war in Syria as a reference. Hamza Al-Ajweh's photograph titled "A Syrian child walks down a street past the rubble of destroyed buildings in the rebel-controlled city of Douma in the Eastern Ghouta enclave outside Damascus", taken on March 8, 2018, and published for the first time at the Los Angeles Times, will be used as a point of reference for the discussion and analysis proposed here. The complexity of displacements in this specific context of war leads us to design Syrian mobility after the beginning of the war in 2011, understanding that this complexity goes far beyond the formal definitions used by international agencies. For a closer understanding of the debate, we designed the discussion in three parts: a brief contextualization of the conflict in Syria, which began with the Arab Spring and continues until today. This socio-political contextualization serves here as a backdrop for discussing not only generic migratory categories but to help better understand people, movements and the demand for new categories and visual reflections that go beyond current perspectives. And in the last part, we will discuss how the image of the photographer Hamza Al-Ajweh helps us think about multiple political and transformative aspects of the picture.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[migração]]></kwd>
<kwd lng="pt"><![CDATA[Síria]]></kwd>
<kwd lng="pt"><![CDATA[guerra]]></kwd>
<kwd lng="pt"><![CDATA[política]]></kwd>
<kwd lng="pt"><![CDATA[fotografia]]></kwd>
<kwd lng="en"><![CDATA[migration]]></kwd>
<kwd lng="en"><![CDATA[Syria]]></kwd>
<kwd lng="en"><![CDATA[war]]></kwd>
<kwd lng="en"><![CDATA[policy]]></kwd>
<kwd lng="en"><![CDATA[photography]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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