<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-1284</journal-id>
<journal-title><![CDATA[Vista. Revista de Cultura Visual]]></journal-title>
<abbrev-journal-title><![CDATA[Vista]]></abbrev-journal-title>
<issn>2184-1284</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos de Comunicação e Sociedade]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-12842023000106001</article-id>
<article-id pub-id-type="doi">10.21814/vista.4133</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Visuals for Emancipatory Technology: A Case Study in Co-Designing a Visual Language to Counter Online Gender-Based Violence on Indian Twitter]]></article-title>
<article-title xml:lang="pt"><![CDATA[Visuais Para Tecnologia Emancipatória: Um Estudo de Caso Sobre a Cocriação de uma Linguagem Visual Para Combater a Violência de Género Online no Twitter Indiano]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mehta]]></surname>
<given-names><![CDATA[Twisha]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Chakraborty]]></surname>
<given-names><![CDATA[Shagnik]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Independent  ]]></institution>
<addr-line><![CDATA[Bangalore ]]></addr-line>
<country>India</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Independent  ]]></institution>
<addr-line><![CDATA[Pune ]]></addr-line>
<country>India</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2023</year>
</pub-date>
<numero>11</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-12842023000106001&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-12842023000106001&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-12842023000106001&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This essay is an account of the visual design for Uli, a user-facing browser plugin to detect and moderate online gender-based violence on Twitter. The authors of this essay, who were involved as visual designers in the team that developed Uli, discuss the co-design process behind creating the visual narrative of such a tool to represent the collective labour in its creation by journalists, activists, community influencers, writers, technologists, and researchers engaged in the struggle against the interwoven caste, religion, gender and sexuality-based violence both online and offline. The essay finally sheds light on how such a visual identity and narrative can promote an alternate visual culture that challenges the dominant visual language of social media that's complacent in the propagation of online gender-based violence.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este ensaio é um relato da criação visual do Uli, um plugin centrado no utilizador para o browser destinado a detetar e moderar a violência de género online no Twitter. Os autores deste ensaio, que participaram como designers visuais na equipa que desenvolveu o Uli, discutem o processo de cocriação subjacente à conceção da narrativa visual de tal ferramenta para representar o trabalho coletivo na sua criação por jornalistas, ativistas, influenciadores, escritores, tecnólogos e investigadores empenhados na luta contra a violência baseada na casta, religião, género e sexualidade, tanto online como offline. Por fim, o ensaio lança luz sobre a forma como essa identidade visual e narrativa podem promover uma cultura visual alternativa que desafia a linguagem visual dominante das redes sociais, que é complacente na propagação da violência de género online.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[visual design]]></kwd>
<kwd lng="en"><![CDATA[Twitter plugin]]></kwd>
<kwd lng="en"><![CDATA[online gender-based violence]]></kwd>
<kwd lng="en"><![CDATA[feminist technology]]></kwd>
<kwd lng="en"><![CDATA[interdisciplinary design]]></kwd>
<kwd lng="pt"><![CDATA[design visual]]></kwd>
<kwd lng="pt"><![CDATA[plugin do Twitter]]></kwd>
<kwd lng="pt"><![CDATA[violência de género online]]></kwd>
<kwd lng="pt"><![CDATA[tecnologia feminista]]></kwd>
<kwd lng="pt"><![CDATA[design interdisciplinar]]></kwd>
</kwd-group>
</article-meta>
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