<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-1284</journal-id>
<journal-title><![CDATA[Vista. Revista de Cultura Visual]]></journal-title>
<abbrev-journal-title><![CDATA[Vista]]></abbrev-journal-title>
<issn>2184-1284</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos de Comunicação e Sociedade]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-12842024000202003</article-id>
<article-id pub-id-type="doi">10.21814/vista.5868</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A Ação Estética Performativa e Narrativa Teatral em Ambiente Digital: Reflexões em Torno da 20.ª Edição do Festival Anual de Teatro Académico de Lisboa e da Produção de um Artefacto de Media Art Digital]]></article-title>
<article-title xml:lang="en"><![CDATA[Performative Aesthetic Action and Theatrical Narrative in Digital Environments: Insights from the 20th Annual Lisbon Academic Theatre Festival and the Production of a Digital Media Art Artefact]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ferreira]]></surname>
<given-names><![CDATA[Ruben]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade do Algarve Faculdade de Ciências Humanas e Sociais Centro de Investigação em Artes e Comunicação]]></institution>
<addr-line><![CDATA[Faro ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<numero>14</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-12842024000202003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-12842024000202003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-12842024000202003&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo explora a ação estética e performativa em contexto digital e foca na análise da influência dos dispositivos digitais na narrativa performativa teatral, tanto em contexto de criação como em contexto de exibição. O estudo abarca as produções da 20.ª edição do Festival Anual de Teatro Académico de Lisboa, apresentadas online durante a pandemia da COVID-19, e a produção de uma vídeo-performance criada especificamente para um artefacto de media art digital, visando compreender os fenómenos estéticos da transição da performance física para o espaço digital. Metodologicamente, este artigo traça uma breve contextualização histórica do recurso ao vídeo como registo e elemento estético de performances teatrais e contextualiza as três linguagens artísticas convocadas para este estudo - vídeo, cinema e performance -, bem como as suas influências nas produções do festival. Para além da observação dos signos sensoriais que emergem da experimentação do cruzamento entre a performance, o vídeo e as artes plásticas, no quadro da vídeo-performance do artefacto, este estudo analisa essa mesma performance, bem como as performances do festival, a partir da grelha do cruzamento dos agentes e dos vetores da ciberperformance, de Pedro Veiga (2022), reapropriada e expandida a esta investigação.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article examines aesthetic and performative action within a digital context, focusing on the impact of digital devices on theatrical performative narrative, in the context of creation and in the context of exhibition. The study highlights the productions from the 20th edition of the Annual Lisbon Academic Theatre Festival, which were presented online during the COVID-19 pandemic, as well as the development of a video-performance specifically created for a digital media art artefact. The aim of this performance is to understand the aesthetic phenomena resulting from the transition from physical performance to digital space. Methodologically, the article provides a brief historical contextualisation of video as a recording medium and aesthetic element in theatre performances. It also situates the three artistic languages explored in this study - video, film, and performance - alongside their interconnections within the festival's productions. In addition to examining the sensory signs that emerge from the intersection of performance, video, and the visual arts within the framework of the artefact's video-performance, this study analyses both that performance and those from the festival using Pedro Veiga's (2022) grid, which categorises the intersection of agents and vectors in cyber-performance, reappropriated and expanded for this investigation.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[vídeo]]></kwd>
<kwd lng="pt"><![CDATA[cinema]]></kwd>
<kwd lng="pt"><![CDATA[vídeo-performance]]></kwd>
<kwd lng="pt"><![CDATA[ciberperformance]]></kwd>
<kwd lng="pt"><![CDATA[artefacto de media art digital]]></kwd>
<kwd lng="en"><![CDATA[video]]></kwd>
<kwd lng="en"><![CDATA[cinema]]></kwd>
<kwd lng="en"><![CDATA[video-performance]]></kwd>
<kwd lng="en"><![CDATA[cyber-performance]]></kwd>
<kwd lng="en"><![CDATA[digital media art artefact]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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