<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-1284</journal-id>
<journal-title><![CDATA[Vista. Revista de Cultura Visual]]></journal-title>
<abbrev-journal-title><![CDATA[Vista]]></abbrev-journal-title>
<issn>2184-1284</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos de Comunicação e Sociedade]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-12842025000202003</article-id>
<article-id pub-id-type="doi">10.21814/vista.6583</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Arquitetura do Desaparecimento: Autorretratos Negros e a Contravisualidade Como Estética Reparativa]]></article-title>
<article-title xml:lang="en"><![CDATA[Architecture of Disappearance: Black Self-Portraits and Counter-Visuality as Reparative Aesthetics]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Bazílio]]></surname>
<given-names><![CDATA[Emanuele de Freitas]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Meirinho]]></surname>
<given-names><![CDATA[Daniel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Campos]]></surname>
<given-names><![CDATA[Ricardo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Rio Grande do Norte Programa de Pós-Graduação em Estudos da Mídia ]]></institution>
<addr-line><![CDATA[Natal ]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal do Rio de Janeiro Escola de Comunicação ]]></institution>
<addr-line><![CDATA[Rio de Janeiro ]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidade NOVA de Lisboa Centro Interdisciplinar de Ciências Sociais ]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>07</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>07</month>
<year>2025</year>
</pub-date>
<numero>16</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-12842025000202003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-12842025000202003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-12842025000202003&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O presente artigo analisa a série de autorretratos Arquitetura do Desaparecimento, do fotógrafo brasileiro Roger Silva. As fotografias de Roger apresentam-se como expressão estética e política da contravisualidade decolonial produzida por fotógrafos negros das periferias. Através do autorretrato, o artista articula um gesto de reexistência que tensiona os regimes normativos de visibilidade, identidade e representação. Este estudo fundamenta-se na teoria decolonial (Azoulay, 2021; Fanon, 1952/2008; Maldonado-Torres, 2020), nos estudos sobre imagem (Campt, 2021), representação (Hall, 2006, 2013/2016) e estética reparativa (Best, 2016), a fim de perceber as imagens de Roger como dispositivos simbólicos de enfrentamento ao racismo e de reconstrução de subjetividades. As legendas que acompanham as fotografias são incorporadas à análise como extensões discursivas da obra visual, revelando camadas não visíveis das experiências retratadas. O artigo demonstra que o autorretrato negro contemporâneo, especialmente o desenvolvido por fotógrafos negros das periferias, constitui-se como prática artivista de produção de sentidos, fabulação e cura simbólica, criando novas gramáticas visuais que subvertem a lógica da colonialidade do ver e do saber. Acredita-se que essas imagens contribuem para o fortalecimento de uma contravisualidade que se estabelece através da linguagem da fotografia negra-periférica.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article analyses the self-portrait series Arquitetura do Desaparecimento (Architecture of Disappearance) by Brazilian photographer Roger Silva. Silva&#8217;s photographs are presented as an aesthetic and political expression of decolonial counter-visuality produced by Black photographers from peripheral contexts. Through self-portraiture, the artist articulates a gesture of re-existence that challenges normative regimes of visibility, identity, and representation. The study draws on decolonial theory (Azoulay, 2021; Fanon, 1952/2008; Maldonado-Torres, 2020), image studies (Campt, 2021), representation (Hall, 2006, 2013/2016) and reparative aesthetics (Best, 2016) to interpret Silva&#8217;s images as symbolic devices of resistance to racism and of the reconstruction of subjectivities. The captions accompanying the photographs are incorporated into the analysis as discursive extensions of the visual work, revealing invisible layers of the experiences portrayed. The article demonstrates that contemporary Black self-portraiture, particularly that developed by Black photographers from the peripheries, constitutes an artivist practice of meaning-making, fabulation and symbolic healing, creating new visual grammars that subvert the logic of the coloniality of seeing and knowing. This article argues that these images contribute to strengthening a counter-visuality established through the language of Black peripheral photography.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[autorretrato]]></kwd>
<kwd lng="pt"><![CDATA[fotografia negra-periférica]]></kwd>
<kwd lng="pt"><![CDATA[estética reparativa]]></kwd>
<kwd lng="pt"><![CDATA[contravisualidade]]></kwd>
<kwd lng="pt"><![CDATA[Roger Silva]]></kwd>
<kwd lng="en"><![CDATA[self-portrait]]></kwd>
<kwd lng="en"><![CDATA[Black peripheral photography]]></kwd>
<kwd lng="en"><![CDATA[reparative aesthetics]]></kwd>
<kwd lng="en"><![CDATA[counter-visuality]]></kwd>
<kwd lng="en"><![CDATA[Roger Silva]]></kwd>
</kwd-group>
</article-meta>
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