<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-1284</journal-id>
<journal-title><![CDATA[Vista. Revista de Cultura Visual]]></journal-title>
<abbrev-journal-title><![CDATA[Vista]]></abbrev-journal-title>
<issn>2184-1284</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos de Comunicação e Sociedade]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-12842025000207003</article-id>
<article-id pub-id-type="doi">10.21814/vista.6193</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Proposing a Method and Framework for Investigating Creativity in Fashioning Self-Identity]]></article-title>
<article-title xml:lang="pt"><![CDATA[Proposta de Método e Modelo Para Investigar a Criatividade na Construção da Autoidentidade Através da Moda]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Jäger]]></surname>
<given-names><![CDATA[Sandra Rosenkranz]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,University of Southern Denmark  ]]></institution>
<addr-line><![CDATA[Kolding ]]></addr-line>
<country>Denmark</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>07</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>07</month>
<year>2025</year>
</pub-date>
<numero>16</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-12842025000207003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-12842025000207003&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-12842025000207003&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In this article, a method is developed and proposed, dubbed the "Outfit of the Day Logbook", which can be used to analyze an individual's creative processes within their design context (or other). In this article, the focus is on everyday fashion activities such as getting dressed and wearing clothes through daily activities and interactions with the surrounding environment. The paper builds on ideas from theories of creativity, introducing primary theories on how creativity has been understood and how it relates to fashion design, drawing inspiration from Vlad Petre Gl&#259;veanu's (2014) theory of distributed creativity. Based on the concept of "distributed creativity", theories of the fashioned body by Joanne Entwistle (2015) and the methodology of wardrobe studies (Fletcher &amp; Klepp, 2017), the logbook was developed for this paper. Empirical data were collected from individuals who participated in the qualitative study for which the logbook was constructed, with three case studies selected for this paper. Analyzing the respondents' answers highlights the social, emotional, and contextual elements that influence an individual's accessibility to their creative potential, which enabled the proposal of a framework of conditions that either foster or limit their use of creativity. The method serves as a qualitative research tool that can be refined, discussed, further developed, and used as interdisciplinary inspiration in other fields, such as consumer research, fashion, design, or other related practices. The focus was to formulate a proposal for a method that involves respondents in their emotional, social, and material contexts at different times in their everyday lives.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo desenvolve e propõe um método, denominado &#8220;Diário do Look do Dia&#8221;, que pode ser utilizado para analisar os processos criativos de um indivíduo no contexto do design (ou de outras áreas). O foco incide sobre atividades quotidianas relacionadas com a moda, como o ato de vestir-se e o uso de roupas nas atividades diárias e nas interações com o ambiente envolvente. O artigo fundamenta-se em teorias da criatividade, apresentando as principais abordagens sobre o modo como esta tem sido compreendida e a sua relação com o design de moda, com especial destaque para a teoria da criatividade distribuída de Vlad Petre Gl&#259;veanu (2014). O diário utilizado no estudo foi desenvolvido a partir deste conceito, nas teorias do corpo modelado de Joanne Entwistle (2015) e na metodologia dos estudos do guarda-roupa (Fletcher &amp; Klepp, 2017). Os dados empíricos foram recolhidos junto de indivíduos que participaram num estudo qualitativo concebido para esse efeito, tendo sido selecionados três estudos de caso para este artigo. A análise das respostas dos participantes evidencia os elementos sociais, emocionais e contextuais que influenciam o acesso de um indivíduo ao seu potencial criativo, permitindo a proposta de um conjunto de condições que favorecem ou limitam o uso da criatividade. O método apresentado constitui uma ferramenta de investigação qualitativa que pode ser aprimorada, debatida, desenvolvida e adaptada como inspiração interdisciplinar em áreas como a investigação do consumidor, a moda, o design ou outras práticas afins. O principal objetivo foi formular uma proposta metodológica que envolva os participantes nos seus contextos emocionais, sociais e materiais, em diferentes momentos da sua vida quotidiana.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[distributed creativity]]></kwd>
<kwd lng="en"><![CDATA[qualitative tool]]></kwd>
<kwd lng="en"><![CDATA[wardrobe method]]></kwd>
<kwd lng="en"><![CDATA[fashion design]]></kwd>
<kwd lng="pt"><![CDATA[criatividade distribuída]]></kwd>
<kwd lng="pt"><![CDATA[ferramenta qualitativa]]></kwd>
<kwd lng="pt"><![CDATA[método do guarda-roupa]]></kwd>
<kwd lng="pt"><![CDATA[design de moda]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Boon]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<source><![CDATA[Defining creativity]]></source>
<year>2014</year>
<publisher-name><![CDATA[BIS Publishers]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bundgaard]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
<name>
<surname><![CDATA[Mogensen]]></surname>
<given-names><![CDATA[H. O.]]></given-names>
</name>
</person-group>
<source><![CDATA[Antropologiske projekter: En grund-bog]]></source>
<year>2018</year>
<publisher-name><![CDATA[Samfundslitteratur]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Entwistle]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[The fashioned body: Fashion, dress &amp; modern social theory]]></source>
<year>2015</year>
<publisher-name><![CDATA[Polity Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fletcher]]></surname>
<given-names><![CDATA[K.]]></given-names>
</name>
<name>
<surname><![CDATA[Klepp]]></surname>
<given-names><![CDATA[I. G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Opening up the wardrobe: A methods book]]></source>
<year>2017</year>
<publisher-name><![CDATA[Novus Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gaver]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
<name>
<surname><![CDATA[Dunne]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
<name>
<surname><![CDATA[Pacenti]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Cultural probes]]></article-title>
<source><![CDATA[Interactions]]></source>
<year>1999</year>
<volume>6</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>21-9</page-range></nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gilbert]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<source><![CDATA[Big magic: Creative living beyond fear]]></source>
<year>2015</year>
<publisher-name><![CDATA[Riverhead]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gl&#259;veanu]]></surname>
<given-names><![CDATA[V. P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Distributed creativity: Thinking outside the vox of the creative individual]]></source>
<year>2014</year>
<publisher-name><![CDATA[Springer]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gl&#259;veanu]]></surname>
<given-names><![CDATA[V. P.]]></given-names>
</name>
<name>
<surname><![CDATA[Beghetto]]></surname>
<given-names><![CDATA[R. A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Creative experience: A nonstandard definition of creativity]]></article-title>
<source><![CDATA[Creativity Research Journal]]></source>
<year>2021</year>
<volume>33</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>75-80</page-range></nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gl&#259;veanu]]></surname>
<given-names><![CDATA[V. P.]]></given-names>
</name>
<name>
<surname><![CDATA[Kaufman]]></surname>
<given-names><![CDATA[J. C.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Building off creativity to move gifted to gifting]]></article-title>
<source><![CDATA[Gifted Education International]]></source>
<year>2022</year>
<volume>38</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>386-90</page-range></nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jennings]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<source><![CDATA[Creativity in fashion design: An inspiration workbook]]></source>
<year>2011</year>
<publisher-name><![CDATA[Fairchild Books]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Judkins]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[The art of creative thinking]]></source>
<year>2016</year>
<publisher-name><![CDATA[Hodder &amp; Stoughton]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kaufman]]></surname>
<given-names><![CDATA[J. C.]]></given-names>
</name>
<name>
<surname><![CDATA[Gl&#259;veanu]]></surname>
<given-names><![CDATA[V. P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The products of the process: Toward exploring and expanding the benefits of being creative]]></article-title>
<source><![CDATA[The Journal of Creative Behavior]]></source>
<year>2025</year>
<volume>59</volume>
<numero>1</numero>
<issue>1</issue>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Smit]]></surname>
<given-names><![CDATA[I.]]></given-names>
</name>
<name>
<surname><![CDATA[van der Hulst]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Creativity takes courage: Dare to think differently]]></source>
<year>2018</year>
<publisher-name><![CDATA[Workman Publishing]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Verger]]></surname>
<given-names><![CDATA[N. B.]]></given-names>
</name>
<name>
<surname><![CDATA[Duymedjian]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Wegener]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
<name>
<surname><![CDATA[Gl&#259;veanu]]></surname>
<given-names><![CDATA[V. P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Creative preservation: A framework of creativity in support of degrowth]]></article-title>
<source><![CDATA[Review of General Psychology]]></source>
<year>2024</year>
<volume>28</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>268-81</page-range></nlm-citation>
</ref>
</ref-list>
</back>
</article>
