<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-1284</journal-id>
<journal-title><![CDATA[Vista. Revista de Cultura Visual]]></journal-title>
<abbrev-journal-title><![CDATA[Vista]]></abbrev-journal-title>
<issn>2184-1284</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos de Comunicação e Sociedade]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-12842026000104001</article-id>
<article-id pub-id-type="doi">10.21814/vista.7053</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Reworking the Visual Legacies of Colonial Photographic Archives With and Through the Self: A Conversation With Dzifa Peters and Nurul Huda Rashid]]></article-title>
<article-title xml:lang="pt"><![CDATA[Reelaborar os Legados Visuais dos Arquivos Fotográficos Coloniais com e Através do Eu: Uma Conversa com Dzifa Peters e Nurul Huda Rashid]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Zurné]]></surname>
<given-names><![CDATA[Lise]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Bruns]]></surname>
<given-names><![CDATA[Charlotte]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Manickam]]></surname>
<given-names><![CDATA[Sandra Khor]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Erasmus University Rotterdam Erasmus School of History, Culture &amp; Communication History Department]]></institution>
<addr-line><![CDATA[Rotterdam ]]></addr-line>
<country>The Netherlands</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Erasmus University Rotterdam Erasmus School of History, Culture &amp; Communication Media &amp; Communication Department]]></institution>
<addr-line><![CDATA[Rotterdam ]]></addr-line>
<country>The Netherlands</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>01</month>
<year>2026</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>01</month>
<year>2026</year>
</pub-date>
<numero>17</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-12842026000104001&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-12842026000104001&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-12842026000104001&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This interview is a follow-up on the symposium &#8220;Visual Legacies: Colonial Photographic Archives and the Self&#8221; held at Erasmus University Rotterdam in November 2025. This symposium explored the potential of artistic practices to reimagine colonial imagery and its impact on identity formation, featuring the works of artists-researchers Dzifa Peters and Nurul Huda Rashid. The two presented their research, which critically engages with photographic legacies. Dzifa Peters, a German-Ghanaian artist and scholar, draws on her bicultural background to reflect on colonial and diasporic contexts. Her work employs photography, photomontage, and installation to expose tensions between private and public archives, institutional frameworks, and personal narratives. She engages with both vernacular and institutional archives, reworking them through historical narratives and imaginative reinterpretations. Nurul Huda Rashid focuses on the algorithmic circulation of images depicting Muslim women. Through annotation and workshops with Muslim women, she investigates methods to disrupt the classification and reproduction of dominant imagery, thereby advocating for alternative modes of opacity and visibility. In the interview, Peters and Rashid discuss the influence of inherited images on self-perception and societal ways of seeing. They explore the role of artistic practice in challenging visual legacies and offer strategies to mitigate the colonial gaze and rework existing photographs to foster new meanings, care, and resistance.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Esta entrevista dá seguimento ao simpósio &#8220;Visual Legacies: Colonial Photographic Archives and the Self&#8221;, realizado na Universidade Erasmus de Roterdão em novembro de 2025. O simpósio explorou o potencial das práticas artísticas para reimaginar a imagética colonial e o seu impacto na formação das identidades, apresentando os trabalhos das artistas-investigadoras Dzifa Peters e Nurul Huda Rashid. Ambas apresentaram as suas investigações, que se dedicam a uma análise crítica dos legados fotográficos coloniais. Dzifa Peters, artista e investigadora germano-ganesa, parte da sua experiência bicultural para refletir sobre contextos coloniais e diaspóricos. O seu trabalho recorre à fotografia, à fotomontagem e à instalação para expor tensões entre arquivos privados e públicos, enquadramentos institucionais e narrativas pessoais. Trabalha tanto com arquivos vernaculares como institucionais, reelaborando-os através de narrativas históricas e de reinterpretações imaginativas. Nurul Huda Rashid centra-se na circulação algorítmica de imagens de mulheres muçulmanas. Através da anotação e de oficinas com mulheres muçulmanas, investiga métodos para perturbar a classificação e a reprodução de imagética dominante, defendendo, assim, modos alternativos de opacidade e visibilidade. Na entrevista, Peters e Rashid discutem a influência das imagens herdadas na autoperceção e nas formas sociais de ver. Exploram o papel da prática artística na contestação dos legados visuais e apresentam estratégias para mitigar o olhar colonial e reelaborar fotografias existentes, promovendo novos sentidos, cuidado e resistência.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[colonial archives]]></kwd>
<kwd lng="en"><![CDATA[photographic archives]]></kwd>
<kwd lng="en"><![CDATA[racialised self]]></kwd>
<kwd lng="en"><![CDATA[colonial photography]]></kwd>
<kwd lng="en"><![CDATA[artistic research]]></kwd>
<kwd lng="pt"><![CDATA[arquivos coloniais]]></kwd>
<kwd lng="pt"><![CDATA[arquivos fotográficos]]></kwd>
<kwd lng="pt"><![CDATA[eu racializado]]></kwd>
<kwd lng="pt"><![CDATA[fotografia colonial]]></kwd>
<kwd lng="pt"><![CDATA[investigação artística]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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