<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-3120</journal-id>
<journal-title><![CDATA[Journal of Digital Media and Interaction]]></journal-title>
<abbrev-journal-title><![CDATA[JDMI]]></abbrev-journal-title>
<issn>2184-3120</issn>
<publisher>
<publisher-name><![CDATA[Universidade de Aveiro]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-31202023000100103</article-id>
<article-id pub-id-type="doi">10.34624/jdmi.v3i8.21270</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Mídias Sociais e Egomuseu: Uma Proposta Conceitual]]></article-title>
<article-title xml:lang="en"><![CDATA[(Social Media and Egomuseum: A Conceptual Proposition)]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Xavier]]></surname>
<given-names><![CDATA[Claudio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade do Estado da Bahia-UNEB  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>06</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>06</month>
<year>2023</year>
</pub-date>
<volume>6</volume>
<numero>14</numero>
<fpage>103</fpage>
<lpage>125</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-31202023000100103&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-31202023000100103&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-31202023000100103&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O trabalho articula a relação imagem-corpo-tecnologia na interseção dos campos da Comunicação e Educação. Insere-se na recenticidade histórica das tecnologias digitais de informação e comunicação, nomeadamente, a emergência de um novo contexto de relacionamento com o uso de mídias sociais. O objetivo é desenvolver e apresentar o conceito egomuseu para explicar a (auto)representação e musealização de si enquanto processo de (in)formação e autoria através de imagens que são documentadas, colecionadas, acumuladas e expostas nas mídias sociais. O egomuseu evidencia a (auto)representação e musealização de si através de narrativas visuais do sujeito - seus sentimentos, emoções, pensamentos e ações - a partir do que julga ser importante e digno de exibir. Este artigo conceitual parte de uma revisão sistemática de literatura em base de dados especializada (Xavier, 2018; Xavier &amp; Oliveira, 2017); e em pesquisa empírica desenvolvida e em desenvolvimento a partir de grupos sociais com perfis públicos no Instagram (Xavier &amp; Souza, 2021). Aponta para a necessidade em refletir sobre a espetacularização, performance, patrimonialização ambivalente e registro, enquanto componentes conceituais do egomuseu, considerando possíveis desdobramentos e implicações, bem como o seu uso em contextos de ensino-aprendizagem e processos (in)formativos de ensino-pesquisa-extensão.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The work articulates the image-body-technology relationship at the intersection of the fields of Communication and Education. It is part of the historical recency of digital information and communication technologies, namely, the emergence of a new relationship context with the use of social media. The objective is to develop and present the egomuseum concept to explain the (self)representation and musealization of the self as a process of (in)formation and authorship through images that are documented, collected, accumulated and exposed in social media. The egomuseum highlights the (self)representation and musealization of the self through visual narratives of the subject - its feelings, emotions, thoughts and actions - based on what it deems to be important and worthy of display. This conceptual article is based on a systematic literature review in a specialized database (Xavier, 2018; Xavier &amp; Oliveira, 2017); and on empirical research developed and under development from social groups with public profiles on Instagram (Xavier &amp; Souza, 2021). It points to the need to reflect on spectacularization, performance, ambivalent patrimonialization and registration, as conceptual components of the egomuseum, considering possible developments and implications, as well as their use in teaching-learning contexts and (in)formative processes of teaching-research-extension.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Egomuseum]]></kwd>
<kwd lng="en"><![CDATA[Mediatization]]></kwd>
<kwd lng="en"><![CDATA[Platformization]]></kwd>
<kwd lng="en"><![CDATA[Social media]]></kwd>
<kwd lng="pt"><![CDATA[Egomuseu]]></kwd>
<kwd lng="pt"><![CDATA[Midiatização]]></kwd>
<kwd lng="pt"><![CDATA[Plataformização]]></kwd>
<kwd lng="pt"><![CDATA[Mídias Sociais]]></kwd>
</kwd-group>
</article-meta>
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