Editorial |
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| | · Towards a geography of everyday life: art and emancipation Queiroz, João Paulo
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Original articles |
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| | · Aurélia de Souza: Feminism at the Mirror Pelayo, Raquel
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| | · Leire Muñoz: landscape in process (work in progress) Akutain Ziarrusta, Ainhoa; Arnaiz Gómez, Ana
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| | · The gaucho milonga at the genesis of the Quintet for guitar and string quartet, by Fernando Mattos Wolff, Daniel
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| | · The tangible registers of Liene Bosquê Pires, Susana Maria
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| | · Giordano Toldo and the journey: photography strategies as a mark of urban space transformation Cidade, Daniela Mendes
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| | · Why did the tablecloth appear in Adriane Hernandez's painting? Machado, João Carlos
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| | · Violence without violence in the work of Manuel Franquelo-Giner Domínguez-Torres, Andrea
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| | · Wilton Azevedo: from graphic gesture to pixel Moreira, Hugo Daniel Rizolli
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| | · Jéssica Mangaba: 'in the Album', a built memory Gonçalves, Sandra Maria Lúcia Pereira
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| | · The Matter of Sculpture in João Castro Silva Rita, Dora-Iva
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| | · What remains and what is broken in the loss and destruction poetic in Raquel Ferreira's labyrinth house Corrêa, Adriane Rodrigues; Gonçalves, Eduarda Azevedo
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| | · The natural matter's poetics that transmutes in organicity: an ecological look of artist Semea Kemil Pereira, Cláudia Matos
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| | · 'Between Solaris and Nostalgias': photography and painting in the works of Jociele Lampert Brächer, Andréa
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| | · The Uncanny in the work of Michaël Borremans Torres, Sofia
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| | · Dissonant voices: the geometric abstraction of Rose Lutzenberger Gomes, Paulo César Ribeiro
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| | · Marginal system: the collection in Sara Ramo Donati, Luisa Paraguai
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