 Editorial |
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| | · In the estudio, looking at the canvas of Pep Montoya (in memoriam)
Queiroz, João Paulo
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| Original Article |
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| | · Take care the material: the process in the work of José Manuel Vidal
Reyes, Amaya González
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| | · Four young artists: Bruno Tamboreno, Kaue Nery, Luciano Teston and Paulo H. Lange
Nicolaiewsky, Alfredo
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| | · When iron outline the soapstone in Jorge dos Anjos’ work, it is Africa giving structure to the brazilian body in the plastic arts
Coppoli, Carolina
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| | · O têxtil como veículo de navegação entre o Desenho e a Instalação na obra de Rosa Godinho
Costa, Diana
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| | · Psychedelizing Elements in the Work of Vicente Ameztoy
Rezola, Edurne Mendia
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| | · Travel, imagery and narrative maps. The map of Fajã da Caldeira de Santo Cristo, Rita Carvalho (b. 1978)
Marques, Inês Andrade
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| | · Thought without image: the paradigm of indeterminacy of ends in Domingos Loureiro’s work
Postiga, Ivan Miguel Salgado; Ramos, Maria Regina Martins
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| | · Filipa César’s Memograma, Insert: the margin as a cartography of lesbian resistance, transgression and memory
Tomé, Joana
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| | · Still Movement: the painting of Joseba Eskubi
Colorado, Jon Martín
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| | · Olfactory forms in Oswaldo Maciá
Donati, Luisa Angélica Paraguai
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| | · Redefining the Identity: Body and territory in the work of Basilisa Fiestras
Rodríguez-Moldes, María Covadonga Barreiro; Estévez, Sonia Tourón
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| | · Contemporary art and the return of history in Francisco Tropa’s work
Marcondes, Neide; Martins, Nara Silvia M.
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| | · The principle of Marinês Busetti's art
Gomes, Paulo César Ribeiro
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| | · Constellational, Portable and Composable. The creative process of Juan Fernando de Laiglesia: from theory to praxis - and vice versa
Cid, Sara Fuentes; Varela, Olalla Cortizas
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