Editorial |
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| · Between the sculpture’s skin and the painting’s hand Queiroz, João Paulo
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Original Article |
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| · Strike out what matters: the importance of the error in the work of Gonçalo Barreiros Rodrigues, Teresa Palma; Franco, Orlando
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| · Scratching the Surface: participation and social transformation of the city Matos, Joana Gaudêncio
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| · The “eternity of the present” in Dulce Ferraz's jewelery Albuquerque, Isabel Ribeiro de
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| · Always She: Cristina Troufa's painting Rizolli, Marcos
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| · Lara Almarcegui: earth projects Díaz, Isabel Carralero
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| · Nano4814: beyond graffiti Hermo, Alberto Santos
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| · Debris: an example of harvesting Pérez, Eva Monroy
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| · Constructions and performances II: A. Framis' shelters Páez, Montserrat López
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| · Inhabiting “empties”: between places and memories of Alberto Bitar Paraguai, Luisa
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| · Limiting, containing and protecting: three basic functions of skin and their representation in Nora Aurrekoetxea's sculpture Davila-Rubio, Andrea
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| · Dissections: practice and desire in the artistic work of Daniel Tejero Olivares Bosch, Leticia Fayos; Cascales, Bartolomé Palazón
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| · Yoko Nishio: the hand as a possible support for death, life and action in times of pandemic Pereira, Claudia Matos
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| · Ana Gallardo: About appropriate objects, perpetual movings and other orphaned issues Valesini, Silvina
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| · A cinema made of love Souza, Marise Berta de
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| · A feminine perspective: María Lorenzo Hernández Gordeeff, Eliane Muniz
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