 Editorial |
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| | · Who is speaking me?: Questions on identity
Queiroz, João Paulo
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| Original articles |
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| | · Strategies of vacuum in the work of Ana Alvarez-Errecalde: bodies, performativity and identities
Guillermina Valent, María
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| | · MP & MP Rosado: narrated time groping
Martín Sánchez, Olegario
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| | · Objectified individual and humanized object in the work of Naia del Castillo
Betrán Torner, María
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| | · Transgender and identity in South African photography: Zanele Muholi
García Ranedo, Mar
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| | · Márcia Beatriz and/or Jaque Jolene: living in dramatic interlude
Fazzolari, Claudia
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| | · João Pedro Vale & Nuno Alexandre Ferreira: a queer manifesto?
Herberto, Luís
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| | · Drawing, Identity and Otherness: when everything is concerned with the support
Silva, Cláudia Maria França da
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| | · Graphic confidences: the homo-erotic drawing of Guillermo Pérez Villalta
Sáez Pradas, Fernando
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| | · Maimuna Adam: travel, displacement and memory as metaphors of Identity
Pereira, Teresa Matos
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| | · Salustiano: portraits of stripped identity
Rojas Redondo, Carlos; García García, Fernando
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| | · A place in the world: comments on João Tabarra's work
Amado, Guy
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| | · Señor Cifrián (Esther Señor & Carmen Cifrián): recovery of the memory through the collective identity
Ramírez Domínguez, Sara; Muñoz del Amo, Áurea
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| | · Open fractures: an analysis of "Desconstruções," paintings of Alan Fontes
Costa, Alexandre Rodrigues da
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| | · Semiotic Practices of identity in the photography of Luz María Bedoya
Barrio de Mendoza, Mihaela Radulescu de
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| | · "_No return": the denial of identity
Rey Villaronga, Gonzalo José
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| | · The Memory of the Stones: on Loïc Le Groumellec's Painting
Escuder Viruete, Joaquín
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| | · Ceci n'est pas un autoportrait: the elusiveness of the diagrammatic identity in Helena Almeida
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| | · "Pintura Habitada" from Helena Almeida: between before and after
Pires, Lara Vanessa Casal
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| | · Felipe Alonso: identification with the classsical myth
González Palacios, María del Rocío
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| | · I am this one: signs of identity in Agustín Alegre's self-portraits
Marco Mallent, Marta
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| | · Feminine identities from "ocañí" transvestim: Icongraphy and influences from the Andalusian woman in Ocaña's astistic production
Naranjo Ferrari, José
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| | · Dilma Góes: brazilian textil art from 1980 to 1990, looking through her personal files
Cirillo, Aparecido José; Costa, Rosa da Penha Ferreira da
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All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License
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