 Editorial |
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| | · Art, self decolonization and orientalism
Queiroz, João Paulo
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| Original articles |
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| | · The space span in Alexis Marguerite Teplin paintings
Meana, Juan Carlos
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| | · Montage and film effect in the photographic narrative 'The God's Ire', by Alfredo Nicolaiewsky
Tedesco, Elaine
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| | · A Broken Cloth, a Dirty T-Shirt or a Genius?: Political Challenges in Agustina Quiles' Artwork
García, Silvia Susana
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| | · Body, performance and colonization in the photographic work of José Juliani
Stratico, Fernando A.; Oliveira, Ronaldo Alexandre de
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| | · The James Kudo's Topofilia series
Lopes, Almerinda da Silva
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| | · Zellige and contemporary creation: the current vision of Hicham Hicham Lahlou & Younes Duret
Asselman, Amine
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| | · Luís Herberto, a bold way of representation
Ramos, Artur
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| | · 'The capable artist': a painting project by Bea Sánchez to encourage emerging artists in the current art system
Dolores Gallego, María
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| | · The Embroidered Skin, Body and tangible time in Ana Teresa Barboza work
Pereira, Teresa Matos
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| | · The 'Série Trágica' of Flávio de Carvalho: drawing as an emergency and a process
Corona, Marilice
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| | · The presence of the heterotopic landscape in the work of Julio Sarramián
Cortés-García, Alba
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| | · The cleaning of the vacuum in the António Olaio's drawings
Silva, Halisson Júnior da
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| | · The mythification of death in Elda Di Malio's painting
de Barrio de Mendoza, Mihaela Radulescu
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| | · Ilídio Salteiro: The thinking, The sharing and Visual Communication, Contemporary painting as an act of 'Religare'
Pereira, Cláudia Matos
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| | · Bego Antón: In search of singularities
Rocha, Susana de Noronha Vasconcelos Teixeira da
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| | · A selection over Nilza Haertel's graphic production: 1980 to 1990
Salvatori, Maristela
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| | · The racial question in the works of Cândido Portinari
Stori, Norberto; Maranhão, Romero de Albuquerque
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All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License
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